10Oh stay, three lives in one flea spare.
Although the term was not found until after his death, it is still widely used and will continue to be traced back to work such as "The Flea".

23Yet thou triumph’st, and say'st that thou. [5], Guibbory further argued that the detailed descriptions of women's bodies in a sexual way give a negative reaction for today's women readers,[5] while Low stated there is an initial shock for readers, but instead attempted to look at the poem as a tool to create a new space for mutual love in lyric poetry.[4]. Dautch, Aviva. "The Flea" Out Loud Yet thou triumph'st, and sayest that thou. “A Close Reading of 'The Flea'.” The British Library, The British Library, 30 Mar. John Donne and Metaphysical Poetry
20Purpled thy nail, in blood of innocence? Detailed explanations, analysis, and citation info for every important quote on LitCharts. Find'st not thyself, nor me, the weaker now.

In this way, the poem is both serious and silly, elegant and vulgar. Mark but this flea, and mark in this, The lead role is the humble flea, which sucks the speaker first then the woman. The male speaker wants to make love to a woman, who resists. His argument hinges on the belief that bodily fluids mix during sexual intercourse.

In “The Flea,” the speaker tries to seduce his mistress with a surprising (and potentially gross) extended metaphor: both he and she have been bitten by the same flea, meaning their separate blood now mingles inside the flea’s body. A sin, nor shame, nor loss of maidenhead. Donne's speaker enviously describes the flea's ability to suck his mistress’ skin and amalgamate his fluids with hers, which is how 17th-century society viewed sex. “The Flea” is a poem by the English poet John Donne, most likely written in the 1590s. Fleas were everywhere throughout the renaissance, both in real life and erotic poetry.

Yet thou triumph’st, and say'st that thou [3], Scholars have stated that Donne's work was not taboo during the 17th century due to other metaphorical references to the flea. — Michael Donkor explains why Donne is often counted among the metaphysical poets. Florio's 1598 Italian/English Dictionary, www.pbm.com/~lindahl/florio1598/160.html. The words are listed in the order in which they appear in the poem. A Brief Guide to the Metaphysical Poets Have a specific question about this poem? (read the full definition & explanation with examples). — Michael Donkor explains why Donne is often counted among the metaphysical poets. Struggling with distance learning? 24Find’st not thy self, nor me the weaker now; 25    ’Tis true; then learn how false, fears be: 26    Just so much honor, when thou yield’st to me. Donne is applauded for his ability to establish the tone of necessity, particularly in The Flea. The speakers exaggerated way of expressing their request is largely influenced by John Donne's career as a lawyer. "A Brief Guide to Metaphysical Poets | Academy of American Poets", "A Foray Into Metaphysical Poetry With John Donne", https://en.wikipedia.org/w/index.php?title=The_Flea_(poem)&oldid=976534642, Creative Commons Attribution-ShareAlike License, This page was last edited on 3 September 2020, at 13:49. Despite its lewdness, Donne also relies on religious imagery to woo the virgin. “Poem of the Week: The Flea by John Donne.” The Guardian, Guardian News and Media, 9 Dec. 2019 Having sex is no different, the speaker argues, and no more dishonorable. “The Flea” is a poem by the English poet John Donne, most likely written in the 1590s. It sucked me first, and now sucks thee, — A dramatic reading of the poem, complete with costumes.

Yet this enjoys before it woo,